Reeda Fneiche (b. 2000) is a budding audiovisual artist working at the intersection of filmmaking and research. Her background in film studies from the IBA2 – Lebanese University (2021) and a master’s in visual anthropology at the Professional School of Münster (2026), helped flourish her skills in editing, sound design, and research.
Reeda’s interest lies in the permeable boundaries of imagination and belief. She actively directs her attention toward events that seep through the sediment of time, investigating what plagues the past with a magnifier borrowed from the future.
The events she is keen on tracing are ones that emerge in contact zones where nature–culture dichotomies break down. She attempts to situate herself within these zones, tracing the tensions and relations that emerge through entangled ecologies and the storied matter they compose. Ambiguity is a recurring condition in her work, transformed beyond its role as an obstacle to be treated as a space where potentiality and imagination coalesce.
Reeda assembles and re-interprets material sourced from the digital debris of online networks and open-source archival collections, reworking it alongside her own video recordings and sound compositions to construct audiovisual evocations. Her methodology reflects a commitment to hybrid, low-budget filmmaking, foregrounding alternative aesthetics and narratives as modes of accessible future-making.
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